Harriet Backer
Norwegian Painter, 1845-1932 Norwegian painter. In the 1860s and early 1870s she took lessons in drawing and painting in Christiania (now Oslo) and also travelled extensively in Europe with her sister Agathe, a composer and pianist. She copied works in major museums and took occasional art lessons; she later considered this experience to have been of fundamental importance to her artistic development. Little Red Riding Hood (1872; Oslo, N.G.) is impressive in technique, and the early portrait of her sister, Agathe Backer-Grendahl (1874; Holmestrand, Komm.), shows a refined colour scheme. At the age of nearly 30 Backer decided to train professionally as a painter and in 1874 went to Munich. She was never attached to a particular institution, but the influence of her friend the artist Eilif Peterssen was crucial to her development. In Munich she made a thorough study of perspective, which formed a secure basis for her later work.

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Harriet Backer Drying clothes oil painting


Drying clothes
ca 1890 cjr
Painting ID::  95831
Harriet Backer
Drying clothes
ca 1890 cjr
   
   
     

Harriet Backer Lesende_dame_i_renessansedrakt oil painting


Lesende_dame_i_renessansedrakt
1878(1878) cjr
Painting ID::  95832
Harriet Backer
Lesende_dame_i_renessansedrakt
1878(1878) cjr
   
   
     

Harriet Backer Portrait of Nenna Jahnson oil painting


Portrait of Nenna Jahnson
ca 1890 cjr
Painting ID::  95833
Harriet Backer
Portrait of Nenna Jahnson
ca 1890 cjr
   
   
     

Harriet Backer Alteret i Uvdal kirke oil painting


Alteret i Uvdal kirke
Oil painting. Painted 1910. cjr
Painting ID::  95834
Harriet Backer
Alteret i Uvdal kirke
Oil painting. Painted 1910. cjr
   
   
     

Harriet Backer Fra Trefoldighetskirken oil painting


Fra Trefoldighetskirken
Oil painting. Painted 1898-1908. cjr
Painting ID::  95838
Harriet Backer
Fra Trefoldighetskirken
Oil painting. Painted 1898-1908. cjr
   
   
     

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     Harriet Backer
     Norwegian Painter, 1845-1932 Norwegian painter. In the 1860s and early 1870s she took lessons in drawing and painting in Christiania (now Oslo) and also travelled extensively in Europe with her sister Agathe, a composer and pianist. She copied works in major museums and took occasional art lessons; she later considered this experience to have been of fundamental importance to her artistic development. Little Red Riding Hood (1872; Oslo, N.G.) is impressive in technique, and the early portrait of her sister, Agathe Backer-Grendahl (1874; Holmestrand, Komm.), shows a refined colour scheme. At the age of nearly 30 Backer decided to train professionally as a painter and in 1874 went to Munich. She was never attached to a particular institution, but the influence of her friend the artist Eilif Peterssen was crucial to her development. In Munich she made a thorough study of perspective, which formed a secure basis for her later work.

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